Chris Hein – Solo Contrabass outshines all previous Contrabass libraries. Never before, a sample library of this extent has been dedicated towards a single string instrument: Recorded with greatest care and endless details, precisely edited and merged into a practical and musical instrument for NI's Kontakt Player offering an elaborated custom-tailored user-interface with comprehensive scripting. Chris Hein – Solo Contrabass features high-grade sound quality and incredible realistic articulations. This library offers everything you have been missing with previous virtual string instruments.

You receive over 10,000 samples (4 gigabytes of sample data), 38 articulations, four different legato transitions as well as extensive phase-alignment of all samples to guarantee smooth inaudible crossfades of up to eight velocity layers. This feature-set allows the creation of authentic viola-arrangements unprecedented on a computer.

Chris Hein – Solo Contrabass delivers outstanding, detailed and highly expressive results as a solo instrument or as part of an ensemble – in all relevant genres ranging from classical music and film scores to gypsy-jazz, folk and pop ballads.

And there is even more: Chris Hein – Solo Contrabass provides sound-designers, composers of film- and game soundtracks and experimental musicians with special effect-sounds and uncommon articulations with partly exceptional dynamics, such as flautando, flageolets and ponticello. The special effect sounds are further supported by the internal tenfold DSP-effects-rack. Feel free to create complex sound clusters, dense atmospheres and surreal sound worlds out of a single Contrabass for incredible moments of suspense.

By using the Ensemble Maker, the solo instrument can easily be turned into an ensemble being able to take advantage of all available articulations. A voice division in the stereo image and fine detuning intensifies this effect.

Chris Hein – Solo Contrabass equally serves demanding string instrument enthusiasts as well as composers needing more than just excellent sounding samples but also comprehensive details, a full offering of articulations and a versatile adaptation to their preferred workflow.

On one hand, the instrument offers a comprehensive full sample set with all articulations being ready to play on the keyboard. Thanks to the library's modular approach on the other hand, significantly reduced variations may also be called up with fast load times and low memory requirements.

By using the clean start configuration, the instrument is initially loaded in a sustain variation while further articulations and functions can simply be added at any time if needed. This way, you may as well work fluently and efficiently on compact and mobile production systems using a lot less memory.

As with all his productions, Chris Hein decided for a close mic'ing in a dry recording environment. Combined with the twin impulse response based reverberation sections, the intentional dry sound of the library allows adapting and fitting the instrument perfectly into variable contexts. Dedicated convolution engines for the instrument's body and the room itself allow creation of a nearly arbitrary acoustic environments ranging from intimate closeness to large concert halls. In difference to the fixed acoustics of several competitive products, Chris Hein – Solo Contrabass is sonically exceptionally variable and additionally easy to combine with almost any other library being offered.