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UB-Xa
Embrace the legacy and make your mark on history with the UB-Xa from Behringer. More than just a recreation of a classic synthesizer, we’ve made sure that the UB-Xa has all the bells, whistles and characteristics that came with the original, but it’s also filled to the brim with modern features such as velocity and after-touch, 512 user program memories and comprehensive MIDI implementation. This makes for a well-rounded synth that’ll make friends with anything in your setup.
Faithful Recreation and More
To recreate its iconic growl and sizzle, we dove deep into the inner workings of the original OB-Xa and brought them into the 21st century including all its original factory patches that made the 80s roar. Thanks to its VCOs and VCFs heavily based on the original 3340 and 3320 chip designs, 16 voices and the ability to split its keyboard so you can layer 2 different sounds, the UB-Xa is capable of conjuring up massive sounding riffs.
An Icon for the Icons
The UB-Xa is a synth like no other that stands on the shoulders of giants! Its legacy is what gave birth to the 80s most iconic hits from the world’s most famous artists! From Rush’s Geddy Lee, The Police, Prince to Van Halen, and even the iconic Terminator theme composed by Brad Fiedel, the UB-Xa’s lineage is filled only with the greats and now you can make your own mark on history as well.
| Product Name | Behringer UB-Xa 16-Voice Multi-Timbral Polyphonic Analog Synthesizer |
|---|---|
| Brand | Behringer |
| Condition | New |
| MPN | UBXA |
| UPC | 4033653031691 |
What's in the Box?
- Behringer UB-Xa 16-Voice Multi-Timbral Polyphonic Analog Synthesizer
- Analog polyphonic synthesizer and authentic reproduction of classic OB-Xa including original factory patches
- Vintage mode allows selection of 8 synthesizer signatures including OB-Xa, OB-8 and more
- 16 voices with 2 VCOs per voice and oscillator sync mode
- Multi-timbral capability allows splitting or layering 2 different sounds
- VCOs and VCFs based on reproductions of original 3340 and 3320 semi conductor designs
- Both VCOs generate sawtooth, triangle or square waveforms with variable pulse width
- Selectable dual-slope 12/24 dB analog low-pass filter per voice with adjustable resonance
- 61 semi-weighted full-size keys featuring poly after-touch and velocity sensitivity
- Flexible 8-channel modulation matrix for dramatic expansion of sonic possibilities
- Dual-layer arpeggiator and sequencer with real-time sequence transpose
- Velocity and after-touch can be optionally used for more expressive performance
- 2 dedicated LFOs with 7 waveform shapes for modulation of pulse width, oscillator pitch and filter cutoff frequency
- 2 ADSR generators per voice for control of VCF and VCA
- Stereo VCA per voice to allow control over voice/layer panning
- 26 rotary controls give direct and real-time access to all important parameters
- High-quality LCD Display with encoder for rapid parameter editing
- Assignable preset recall switches for immediate program selection
- Spring-loaded pitch and assignable modulation paddles provide total hands-on performance
- 512 user program memories with “compare and match” feature to quickly match all analog controls to stored program values
- Fully servo-balanced outputs for highest signal integrity
- CV/pedal inputs for connection to expression pedals and footswitches
- MIDI Polyphonic Expression (MPE) to enable multidimensional controllers and multiple parameters per note
- Comprehensive MIDI implementation (including NRPN/CC control of all parameters and bulk load/save)
Synthesizer Architecture |
|
|---|---|
| Number of Voices: | 16-voice bi-timbral |
| Type: | Analog |
| Oscillators: | 32 |
| LFO: | 2 |
| VCF: | 1 low pass, 2-pole or 4-pole, (12dB or 24dB/oct slope), switchable |
| Envelopes: | VCA, VCF |
Connectivity |
|
| MIDI In/out/thru: | 5-pin DIN / 16 channels |
| USB (MIDI): | USB 2.0, type B |
| Main Output: | 2 x 1/4" TRS, balanced, max. 22 dBu Impedance: 50 Ω |
| Headphones: | 1/4" TRS, stereo, max 25mW dBu Impedance: 25 Ω |
| Foot Pedals: | Vibrato: 1/4" TRS, balanced Filter: 1/4" TRS, balanced |
| Foot Switches: | Sustain: 1/4" Mono Program advance: 1/4" Mono Hold: 1/4" Mono |
USB |
|
| Type: | Class-compliant USB 2.0, type B |
| Supported Operating Systems: | Windows 7 or higher Mac OS X 10.10 or higher |
Manual Section |
|
| Controls: | Volume: 0 to 255 Balance Master tune |
| Switches: | Auto Chord |
Control Section |
|
| Controls: | Portamento OSC 2 Detune |
| Switches: | Unison |
Arpeggiator Section |
|
| Controls: | Rate |
| Switches: | Settings Hold On |
LFO Section |
|
| Controls: | LFO Rate |
| Switches: | Waveform |
| LED: | Sine Inverse Sawtooth Square Sawtooth Sample & hold Trig SMP |
Modulation Section |
|
| Controls: | OSC 1 depth OSC 2 depth |
| Switches: | OSC 1 freq OSC 2 freq Filter freq OSC 1 PWM OSC 2 PWM Volume mod |
Oscillator Section |
|
| Controls: | Frequency 1 Pulse width Frequency 2 |
| Switches: | Saw waveform 1 Pulse waveform 1 Sync OSC 2 F-ENV (envelope follow) OSC 2 Saw waveform 2 Pulse waveform 2 Shift |
Keyboard Section |
|
| Switches: | Split (keyboard) Double (keyboard) Lower (keyboard) Upper (keyboard) |
Sequencer Section |
|
| Switches: | Rest / tie Record Stop Play / pause |
Filter Section |
|
| Controls: | Frequency Resonance Modulation Noise |
| Switches: | OSC 1 Half OSC 2 Full OSC 2 4 Pole Track |
Envelope Section |
|
| Controls: | Attack (envelope) Decay (envelope) Sustain (envelope) Release (envelope) Attack (filter) Decay (filter) Sustain (filter) Release (filter) |
Programmer Section |
|
| Controls: | Select encoder |
| Switches: | Compare Manual Write Preset / value - Preset / value + |
| Display: | 2 x line, 16-digit LCD display |
Assignable Preset Recall Section |
|
| Switches: | 1 / USB / MIDI 2 / Vel / aft 3 / Voice 4 / Mod |
Keyboard and Controls |
|
| Wheels: | Pitch Modulation |
| Controls: | Rate Depth |
| Switches: | Waveform OSC 1 mod OSC 2 mod OSC 2 only (bend) Amount (bend) Transpose down Transpose up |
| LED: | Triangle Square Sawtooth Inverse Sawtooth Random Sample & hold |
| Keyboard: | 61 full-size keys with velocity and polyphonic aftertouch |
Behringer UB-Xa 16-Voice Multi-Timbral Polyphonic Analog Synthesizer
UB-Xa
Embrace the legacy and make your mark on history with the UB-Xa from Behringer. More than just a recreation of a classic synthesizer, we’ve made sure that the UB-Xa has all the bells, whistles and characteristics that came with the original, but it’s also filled to the brim with modern features such as velocity and after-touch, 512 user program memories and comprehensive MIDI implementation. This makes for a well-rounded synth that’ll make friends with anything in your setup.
Faithful Recreation and More
To recreate its iconic growl and sizzle, we dove deep into the inner workings of the original OB-Xa and brought them into the 21st century including all its original factory patches that made the 80s roar. Thanks to its VCOs and VCFs heavily based on the original 3340 and 3320 chip designs, 16 voices and the ability to split its keyboard so you can layer 2 different sounds, the UB-Xa is capable of conjuring up massive sounding riffs.
An Icon for the Icons
The UB-Xa is a synth like no other that stands on the shoulders of giants! Its legacy is what gave birth to the 80s most iconic hits from the world’s most famous artists! From Rush’s Geddy Lee, The Police, Prince to Van Halen, and even the iconic Terminator theme composed by Brad Fiedel, the UB-Xa’s lineage is filled only with the greats and now you can make your own mark on history as well.
| Product Name | Behringer UB-Xa 16-Voice Multi-Timbral Polyphonic Analog Synthesizer |
|---|---|
| Brand | Behringer |
| Condition | New |
| MPN | UBXA |
| UPC | 4033653031691 |
What's in the Box?
- Behringer UB-Xa 16-Voice Multi-Timbral Polyphonic Analog Synthesizer
- Analog polyphonic synthesizer and authentic reproduction of classic OB-Xa including original factory patches
- Vintage mode allows selection of 8 synthesizer signatures including OB-Xa, OB-8 and more
- 16 voices with 2 VCOs per voice and oscillator sync mode
- Multi-timbral capability allows splitting or layering 2 different sounds
- VCOs and VCFs based on reproductions of original 3340 and 3320 semi conductor designs
- Both VCOs generate sawtooth, triangle or square waveforms with variable pulse width
- Selectable dual-slope 12/24 dB analog low-pass filter per voice with adjustable resonance
- 61 semi-weighted full-size keys featuring poly after-touch and velocity sensitivity
- Flexible 8-channel modulation matrix for dramatic expansion of sonic possibilities
- Dual-layer arpeggiator and sequencer with real-time sequence transpose
- Velocity and after-touch can be optionally used for more expressive performance
- 2 dedicated LFOs with 7 waveform shapes for modulation of pulse width, oscillator pitch and filter cutoff frequency
- 2 ADSR generators per voice for control of VCF and VCA
- Stereo VCA per voice to allow control over voice/layer panning
- 26 rotary controls give direct and real-time access to all important parameters
- High-quality LCD Display with encoder for rapid parameter editing
- Assignable preset recall switches for immediate program selection
- Spring-loaded pitch and assignable modulation paddles provide total hands-on performance
- 512 user program memories with “compare and match” feature to quickly match all analog controls to stored program values
- Fully servo-balanced outputs for highest signal integrity
- CV/pedal inputs for connection to expression pedals and footswitches
- MIDI Polyphonic Expression (MPE) to enable multidimensional controllers and multiple parameters per note
- Comprehensive MIDI implementation (including NRPN/CC control of all parameters and bulk load/save)
Synthesizer Architecture |
|
|---|---|
| Number of Voices: | 16-voice bi-timbral |
| Type: | Analog |
| Oscillators: | 32 |
| LFO: | 2 |
| VCF: | 1 low pass, 2-pole or 4-pole, (12dB or 24dB/oct slope), switchable |
| Envelopes: | VCA, VCF |
Connectivity |
|
| MIDI In/out/thru: | 5-pin DIN / 16 channels |
| USB (MIDI): | USB 2.0, type B |
| Main Output: | 2 x 1/4" TRS, balanced, max. 22 dBu Impedance: 50 Ω |
| Headphones: | 1/4" TRS, stereo, max 25mW dBu Impedance: 25 Ω |
| Foot Pedals: | Vibrato: 1/4" TRS, balanced Filter: 1/4" TRS, balanced |
| Foot Switches: | Sustain: 1/4" Mono Program advance: 1/4" Mono Hold: 1/4" Mono |
USB |
|
| Type: | Class-compliant USB 2.0, type B |
| Supported Operating Systems: | Windows 7 or higher Mac OS X 10.10 or higher |
Manual Section |
|
| Controls: | Volume: 0 to 255 Balance Master tune |
| Switches: | Auto Chord |
Control Section |
|
| Controls: | Portamento OSC 2 Detune |
| Switches: | Unison |
Arpeggiator Section |
|
| Controls: | Rate |
| Switches: | Settings Hold On |
LFO Section |
|
| Controls: | LFO Rate |
| Switches: | Waveform |
| LED: | Sine Inverse Sawtooth Square Sawtooth Sample & hold Trig SMP |
Modulation Section |
|
| Controls: | OSC 1 depth OSC 2 depth |
| Switches: | OSC 1 freq OSC 2 freq Filter freq OSC 1 PWM OSC 2 PWM Volume mod |
Oscillator Section |
|
| Controls: | Frequency 1 Pulse width Frequency 2 |
| Switches: | Saw waveform 1 Pulse waveform 1 Sync OSC 2 F-ENV (envelope follow) OSC 2 Saw waveform 2 Pulse waveform 2 Shift |
Keyboard Section |
|
| Switches: | Split (keyboard) Double (keyboard) Lower (keyboard) Upper (keyboard) |
Sequencer Section |
|
| Switches: | Rest / tie Record Stop Play / pause |
Filter Section |
|
| Controls: | Frequency Resonance Modulation Noise |
| Switches: | OSC 1 Half OSC 2 Full OSC 2 4 Pole Track |
Envelope Section |
|
| Controls: | Attack (envelope) Decay (envelope) Sustain (envelope) Release (envelope) Attack (filter) Decay (filter) Sustain (filter) Release (filter) |
Programmer Section |
|
| Controls: | Select encoder |
| Switches: | Compare Manual Write Preset / value - Preset / value + |
| Display: | 2 x line, 16-digit LCD display |
Assignable Preset Recall Section |
|
| Switches: | 1 / USB / MIDI 2 / Vel / aft 3 / Voice 4 / Mod |
Keyboard and Controls |
|
| Wheels: | Pitch Modulation |
| Controls: | Rate Depth |
| Switches: | Waveform OSC 1 mod OSC 2 mod OSC 2 only (bend) Amount (bend) Transpose down Transpose up |
| LED: | Triangle Square Sawtooth Inverse Sawtooth Random Sample & hold |
| Keyboard: | 61 full-size keys with velocity and polyphonic aftertouch |
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